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If you want to know as few plot points as possible about The Matrix Resurrections, you can skip this paragraph. It echoes Matrix contemporary The Thirteenth Floor - as well as its predecessor, the Rainer Fassbinder film World On A Wire - with a story about losing track of the line between reality and fantasy but freshly made for a world where that philosophical dilemma has permeated pop culture. It’s followed by an effectively cringeworthy sendup of a specific media industry that will remain nameless. Resurrections’ opening calls back to an iconic Matrix scene while stylishly introducing new characters and teasing a compellingly trippy plot, complete with a new palette that spices up the series’ classic monochrome with patches of slick color. It’s a promising premise for a new installment in the series, and the early execution is fantastic. Resurrections’ narrative is very directly responding to decades of people analyzing everything from The Matrix’s bullet time sequences to its transgender subtext. And without getting into specifics, I don’t mean this in some abstract thematic way. (If you don’t know who these people are or you haven’t thought about them much since then, I would strongly recommend brushing up.) But in spirit, it’s a sequel to the entire Matrix cultural phenomenon that began in 1999. Resurrections is a direct sequel to 2003’s The Matrix Revolutions, continuing the story of Neo, Trinity, and a few other well-known characters from the Matrix trilogy. And worst of all, the kung fu isn’t very good. It seeks to dissect the adulation and mythos that have grown up around The Matrix over 22 years but without the masterful craftwork that inspired that adulation in the first place. It’s a gratingly uncool and reactive cut-up of an effortlessly cool and timeless work, albeit seemingly deliberately so. Directed by Lana Wachowski instead of the typical Wachowski-sister duo, Resurrections starts with an intriguing bit of metatextual loopiness before devolving into a tepid sequel. The Matrix Resurrections is, to its credit, a fairly weird film - but one that’s often more concerned with being self-aware than being good or enjoyable. I really have nobody but myself to blame. Neo, now able to control aspects of the Matrix, does a horizontal swan dive into Smith's chest, apparently killing him.The Matrix Resurrections warned me its existence was a bad idea, and I kept watching anyway. Morpheus and Trinity make it out of the simulation, but Neo is shot by Smith and killed before, true to his Christ allegory, he returns to life. Mounting a rescue operation, Neo and fellow virtual gun enthusiast Trinity manage to save Morpheus. The Agents nearly capture Neo, but are held back when Morpheus, acting out of faith in Neo's perceived messianic status, holds the Agents off and is captured in the process.
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Shortly after this, the group is hunted down by Agents, programs designed to guard the Matrix from irregularities, led by one called Smith. He starts going by his internet handle, Neo, and begins training aboard Morpheus' ship, the Nebuchadnezzar.īack inside the Matrix, Neo and his new companions meet with the Oracle, who tells Neo that he isn't the One. The ambassador announced that every human on Earth was to surrender their body to their new robot overlords, then exploded a hidden nuclear device, killing itself and all of the human race's leaders and decimating New York.Ī rude awakening later, Anderson is told that Morpheus believes he's the One, a savior prophesied by the Oracle who can stop the machines once and for all. They invited a machine ambassador to the U.N., and all of the remaining nations on Earth signed an agreement to surrender. They stopped producing anthropomorphic bodies and began creating alien-looking instruments of war, more similar to the flying Sentinel squid bots first seen in The Matrix.īy 2199, the humans were ready to call it a day. While all of the things that people enjoy eating, like plants and animals, died off, the machines started developing newer, more advanced soldiers. Releasing clouds of nanites, human aircraft blocked the sun from the sky. Enter "Operation Dark Storm," the human race's last act of desperation. For all their advancements, the machines still ran primarily on solar power.
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Desperate for a win, humanity took a decidedly Mister Burns-ian shot at what they thought was the machines' Achilles heel.